Terence Gower, Manifiesto, 2015

Artist: Terence Gower (born 1965 in British Columbia, Canada; lives and works in New York City, USA). Description: “Manifiesto juxtaposes music and architecture, two forms of expression that employ rhythm, harmony, proportion, and dynamics. Mathias Goeritz, in his 1952 Manifiesto de la arquitectura emocional and in his manifesto’s built form, El Eco, added emotion to this list […]
Andrea Geyer, “Asterism” series, 2016

Artist: Andrea Geyer (born 1971 in Freiburg im Breisgau, Germany; lives and works in New York City, USA). Materials: Collaged archival prints; variable dimensions. Description: “The intimate collages of ‘Asterism’ combine photographs of women active at the Bauhaus in Dessau as teachers and students until 1933 with Joseph Albers Constellation drawings from the 1950s. The […]
Andrea Geyer, Truly Spun Never, 2016

Artist: Andrea Geyer (born 1971 in Freiburg im Breisgau, Germany; lives and works in New York City, USA). Materials: Three-channel HD video installation, 17 min. Description: “For Truly Spun Never, Geyer expands her recent interest in Modernism through an investigation of the origins of modern dance in Europe from the 1910s to the 1930s. Given […]
Electroboutique, 3G International, 2010

Artist: Electroboutique [Aristarkh Chernyshev and Alexei Shulgin] (collective, founded in Moscow, 2004; lives and works in Moscow). Materials: Fiberglass, duratrans, and electronics; 240 x 139.7 x 139.7 cm. Description: “A giant distorted iPhone 3G, shaped as Tatlin’s Monument to the [Third] International. Tatlin’s work is considered one of the avant-garde icons, whereas [the] iPhone is a bright […]
Domenèc, Playground (Tatlin in Mexico), 2011

Artist: Domènec (born 1962 in Mataró, Spain; lives and works in Mataró). Description: Sculpture in playground in Mexico City. “Produced as part of the ‘Hand to Hand with General Cárdenas’ project by Antimuseum of Contemporary Art in Mexico DF. This replica of the Monument to the Third International designed by Russian artist Vladimir Tatlin in 1920 […]